Blogs I Like: Gurney Journey

One of the best things about the internet is have access to so many useful and inspirational blogs and websites.

One I really like is Gurney Journey – the blog of James Gurney creator of Dinotopia.

James Gurney is an incredible artist and freely gives of his passion, knowledge and research on all things to do with painting, imaginative realism and illustration.  James posts every day and every day I learn something.

Here is an example of a recent post:

Donkey and horse minipaintings

Donkey and Horse by James Gurney

Donkey and Horse by James Gurney

Yesterday on my morning walk I did these tiny sketches of a donkey and a white horse with an old sable watercolor round brush and casein paint. Casein is an opaque water-based paint.

Instead of starting with a pencil, I jumped straight in with the brush, massing the big shapes and cutting foreground over background and then background over foreground.

Corrections and refinements were easy with an opaque paint. Note that the plane of the scapula in both sketches was placed as a single stroke.

I used just four colors: titanium white, ivory black, raw sienna, and raw umber. That was all I really needed for such a subject under such conditions.
It is a good super-basic palette for exploring simple relationships of light and dark, warm and cool.

Photo by James Gurney

Photo by James Gurney

The donkeys were fascinated by the smell of casein. Maybe they liked the milk-based binder. I was afraid they might try to eat the paint, but they didn’t. Lee just nibbled my fingers with her lips, and Peanut kept sniffing the paint rag.
—–
Here’s what I used:
Jack Richeson / Shiva casein colors
Moleskine watercolor notebook
Winsor and Newton Series 7 round watercolor brush
I’m using a watercolor palette for a mixing surface, but I didn’t use any of the watercolors for this sketch.

Cheetah in Silverpoint

A couple of days ago I showed this cheetah in progress.  I have now finished the little guy.

Next I will do some silverpoint on the scroll work to give it some dimension and then on to painting!

Silverpoint Cheetah - TabascoCatArt.com

 

Book Review: The Oil Painting Book by Bill Creevy

When I am trying to learn a new medium or technique the first thing I do is try to find books on the topic.

So when I embarked on the journey to learn oil painting I went search for some basic books on this technique.

The Oil Painting Book by Bill Creevy is an excellent primer on oil painting and includes just about everything that one would expect for a book on the basics of the medium.

Oil Painting Book by Bill Creevy

This book, however, offers a lot more than just the basics – it is packed full of useful, detailed information that I have never seen all in one place before.

Creevy covers just about every major brand of oil paint out there – history of the company and brand and any unique characteristics of the paint. He does the same same thing with oil painting media, solvents and varnishes – he completely cleared up the confusion I had about all the various things you can add to oil paints.  Next he goes onto every type of support and ground that can be used in oil painting.  All of this in the first part of the book!

Example of write up on Old Holland brand oil paints

Details on Paints-1

Next he gives complete information on just about every way that a design can be transferred to the support and all the techniques for developing the underdrawing/underpainting.

Details on Underdrawing

With all of that out of the way he goes through all the major techniques of oil painting including alla prima, wet in wet, etc.

Where this book stands out is in the amount of time that Creevy spends on the technique in glazing included a very thorough demo on developing a grisaille underpainting and finishing with glazing and scumbling.

Glazing chart included in book:

Glazing chart

He also devotes an entire chapter to alternative oil based media including alkyds.  The info on alkyds is the best I have ever read and he also includes a demo in this section.

Alkyds

Overall this book is an incredible resource.

Examples of Creevy’s work:

Three Pears by Bill Creevy

The Goat by Bill Creevy

So are there any cons?  First, as detailed as this book is, an absolute beginning painter might struggle with there being too much detail and not enough on basics such as using a brush and basic color theory/mixing.  Also, all the examples are Creevy own work and are very distinctive – so the range of effects that can be achieved with oil paints is not well illustrated.  However, for the advanced beginner and beyond this is an incredibly useful resource on oil painting.  I personally like his style and plan to try some of the demos in the book.

Work in Progress: Cheetah in Silverpoint

The San Diego Fair has a “Small Formats Contest” and 2D entries must be no larger than 7″x7″.

I have always been intrigued by miniature paintings so decided to use the contest as a challenge to paint my own.

I am creating the underdrawing in silverpoint and then will glaze over that with oil paint.

Cheetah in progress - TabascoCatArt.com

I  like the way the cheetah appears to emerge from the surface as I work on it.

I don’t think I really ever appreciated just how many spots there are on a Cheetah and the pattern they create until now!

The piece is 7×5 and is being created on a True Gesso panel.  I have exactly one month to complete it.

Glazing with Oil Paint…Or…Rabbits Really Can Fly!

Here is one of my first completed oil paintings. It seems rabbits really can fly!

Rabbits Can Fly by Marque Todd, Oil on Panel, 12x9, 2013

Rabbits Can Fly by Marque Todd, Oil on Panel, 12×9, 2013

Awhile back I talked about the sudden turn in my creative journey – with the discovery of how accessible oils really are.

I have been working with Vicki Walsh to learn how to paint with oils and more particularly how to glaze with oils.  The painting above was executed almost entirely in oils.

Glazing isn’t used that much these days as many artists feel that it is too tedious and not painterly enough for their styles, although it was one of the preferred techniques of the Old Masters.

In a nut shell, glazing is where the oil paint is diluted with a medium and then applied to the painting in thin transparent/translucent layers (usually over a monochromatic grisaille) and the glaze is allowed to dry between each layer.  This site shows the entire process of painting a Vermeer using extensive glazing.  Great depth and luminosity can be achieved using this technique.

glaze over grisaille

Admittedly, this could be very tedious considering how slow oil paint dries.  However with the advent of alkyd mediums like Liquin (I use Liquin Fine Detail) each layer only takes 12-18 hours to dry, greatly speeding the process and making it accessible as a modern technique.

Note to readers:

I have made a commitment to myself to do a little bit of art every day.  Whether it’s in the studio, or reading art books, or watching instructional videos.

I decided to shake my blog up a bit and to post something that I have done in the studio or discovered about art almost every day.

I hope you will enjoy the journey with me.  Feel free to share in the comments what you’re doing too – we can travel the creativity road together!

Previous Older Entries

Follow

Get every new post delivered to your Inbox.

Join 259 other followers